Medialität und Auratisierung: Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

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Abstract

Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.

Original languageGerman
Pages (from-to)506-527
Number of pages22
JournalInternationales Archiv fuer Sozialgeschichte der Deutschen Literatur
Volume42
Issue number2
DOIs
Publication statusPublished - Nov 2 2017
Externally publishedYes

All Science Journal Classification (ASJC) codes

  • History
  • Literature and Literary Theory

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