Tonal neutralization in the Ikema dialect of Miyako Ryukyuan

Yosuke Igarashi, Yukinori Takubo, Yuka Hayashi, Tomoyuki Kubo

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)

Abstract

The Ikema dialect of Miyako Ryukyuan (henceforth Ikema) has three lexically contrastive tone classes. Ikema exhibits widespread tonal neutralization such that the three-way contrast can only be observed in quite restricted contexts. The goals of this article are to determine the prosodic conditions that bring about tonal neutralization in Ikema and to make generalizations about surface pitch patterning in utterances. Involved in the neutralization is the hierarchical prosodic structure with three prosodic constituents above the mora, that is, the foot, Prosodic Word, and Clitic Group. The three-way tonal contrast in Ikema is fully realized (and hence not neutralized) when the following two conditions are met. Firstly, the utterance as a whole consists of at least three Prosodic Words. Secondly, the Clitic Group consists of at least two Prosodic Words. Moreover, long utterances can exhibit pitch patterns resulting from the Principle of Rhythmic Alternation. The rhythmic alternation can also trigger tonal neutralization in some cases.

Original languageEnglish
Title of host publicationTonal Change and Neutralization
PublisherWalter de Gruyter GmbH
Pages83-128
Number of pages46
Volume27
ISBN (Electronic)9783110567502
ISBN (Print)9783110564600
DOIs
Publication statusPublished - Mar 5 2018

All Science Journal Classification (ASJC) codes

  • Arts and Humanities(all)
  • Social Sciences(all)

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