フリッツ・イェーデによる音楽作品論の諸特徴: 空間の言語化と視覚化をめぐって

This study examines characteristics of Fritz Jöde's (1887-1970) verbalization and visualization of musical works by fucusing on his Die Kunst Backs(1926). Although few preceding studies focus on Jöde's interpretation of musical works (Kimura 1933; Hinrichsen 2000, etc), one can find specific spatail representation. Jöde, who believed that music despences with any temporal and spatail reference, constructed an imaginary sense of time and space in order to interpret the unity of musical works. He observed that such an act helped determine what is essencial. For example, Jöde proposed the theory of inner melody (Innenmelodek), which referes to the melodic continuity by adding imaginary notes that are not present in reality. Furthemore, Jöde's interpretation of space was also visualised : this study examine its nature. His representation of space aspired after a rehabilitation og the interpreter's feeling of the space (Raumempfinden)