フリッツ・イェーデによる音楽作品論の諸特徴: 空間の言語化と視覚化をめぐって

研究成果: Contribution to journalArticle査読

抄録

This study examines characteristics of Fritz Jöde's (1887-1970) verbalization and visualization of musical works by fucusing on his Die Kunst Backs(1926). Although few preceding studies focus on Jöde's interpretation of musical works (Kimura 1933; Hinrichsen 2000, etc), one can find specific spatail representation. Jöde, who believed that music despences with any temporal and spatail reference, constructed an imaginary sense of time and space in order to interpret the unity of musical works. He observed that such an act helped determine what is essencial. For example, Jöde proposed the theory of inner melody (Innenmelodek), which referes to the melodic continuity by adding imaginary notes that are not present in reality. Furthemore, Jöde's interpretation of space was also visualised : this study examine its nature. His representation of space aspired after a rehabilitation og the interpreter's feeling of the space (Raumempfinden)
寄稿の翻訳タイトルCharacteristics in Fritz Jode's Interpretations of the Musical Works: Verbalization and Visualization of the Space
本文言語Japanese
ページ(範囲)35-44
ページ数10
ジャーナル芸術工学研究 : 九州大学大学院芸術工学研究院紀要
20
DOI
出版ステータス出版済み - 2014

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