Dynamic hip kinematics during recreational classical ballet and hula dance after total hip arthroplasty

Two case reports

Keisuke Komiyama, Satoshi Hamai, Daisuke Hara, Satoru Ikebe, Yifeng Wang, Hirotaka Gondo, Hidehiko Higaki, Yasuharu Nakashima

研究成果: ジャーナルへの寄稿記事

抄録

Background: The in vivo assessment of the three-dimensional kinematics of the hip during dance activities in patients after total hip arthroplasty has not been previously reported. We evaluated the replaced hip kinematics during recreational classical ballet and hula dance using radiographic-based image-matching techniques. Case presentation: A 58-year-old Japanese woman (patient 1; height, 157 cm; weight, 74.5 kg) and a 73-year-old Japanese woman (patient 2; height, 153 cm; weight, 48 kg) were still doing classical ballet and hula dance, respectively, after primary total hip arthroplasty. For ballet, there were gradual three-dimensional hip movements with 48° flexion, 36° abduction, and 49° external rotation in développé and 34° flexion, 29° abduction, and 43° external rotation in plié. For hula, there were small three-dimensional hip movements with 31° flexion, 15° adduction, and 11° external rotation in kao and 17° flexion, 11° adduction, and 11° external rotation in kaholo. No liner-to-neck contact was found in any dance activities. Conclusion: Both classical ballet and hula dance produced complex ranges of hip movements and activity-dependent kinematics. These kinematic data could be useful for recommending each patient with total hip arthroplasty to continue recreational dance activities.

元の言語英語
記事番号11
ジャーナルJournal of Medical Case Reports
13
発行部数1
DOI
出版物ステータス出版済み - 1 12 2019

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Dancing
Biomechanical Phenomena
Arthroplasty
Hip
Weights and Measures
Neck

All Science Journal Classification (ASJC) codes

  • Medicine(all)

これを引用

Dynamic hip kinematics during recreational classical ballet and hula dance after total hip arthroplasty : Two case reports. / Komiyama, Keisuke; Hamai, Satoshi; Hara, Daisuke; Ikebe, Satoru; Wang, Yifeng; Gondo, Hirotaka; Higaki, Hidehiko; Nakashima, Yasuharu.

:: Journal of Medical Case Reports, 巻 13, 番号 1, 11, 12.01.2019.

研究成果: ジャーナルへの寄稿記事

Komiyama, Keisuke ; Hamai, Satoshi ; Hara, Daisuke ; Ikebe, Satoru ; Wang, Yifeng ; Gondo, Hirotaka ; Higaki, Hidehiko ; Nakashima, Yasuharu. / Dynamic hip kinematics during recreational classical ballet and hula dance after total hip arthroplasty : Two case reports. :: Journal of Medical Case Reports. 2019 ; 巻 13, 番号 1.
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abstract = "Background: The in vivo assessment of the three-dimensional kinematics of the hip during dance activities in patients after total hip arthroplasty has not been previously reported. We evaluated the replaced hip kinematics during recreational classical ballet and hula dance using radiographic-based image-matching techniques. Case presentation: A 58-year-old Japanese woman (patient 1; height, 157 cm; weight, 74.5 kg) and a 73-year-old Japanese woman (patient 2; height, 153 cm; weight, 48 kg) were still doing classical ballet and hula dance, respectively, after primary total hip arthroplasty. For ballet, there were gradual three-dimensional hip movements with 48° flexion, 36° abduction, and 49° external rotation in d{\'e}velopp{\'e} and 34° flexion, 29° abduction, and 43° external rotation in pli{\'e}. For hula, there were small three-dimensional hip movements with 31° flexion, 15° adduction, and 11° external rotation in kao and 17° flexion, 11° adduction, and 11° external rotation in kaholo. No liner-to-neck contact was found in any dance activities. Conclusion: Both classical ballet and hula dance produced complex ranges of hip movements and activity-dependent kinematics. These kinematic data could be useful for recommending each patient with total hip arthroplasty to continue recreational dance activities.",
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AU - Komiyama, Keisuke

AU - Hamai, Satoshi

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AU - Ikebe, Satoru

AU - Wang, Yifeng

AU - Gondo, Hirotaka

AU - Higaki, Hidehiko

AU - Nakashima, Yasuharu

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N2 - Background: The in vivo assessment of the three-dimensional kinematics of the hip during dance activities in patients after total hip arthroplasty has not been previously reported. We evaluated the replaced hip kinematics during recreational classical ballet and hula dance using radiographic-based image-matching techniques. Case presentation: A 58-year-old Japanese woman (patient 1; height, 157 cm; weight, 74.5 kg) and a 73-year-old Japanese woman (patient 2; height, 153 cm; weight, 48 kg) were still doing classical ballet and hula dance, respectively, after primary total hip arthroplasty. For ballet, there were gradual three-dimensional hip movements with 48° flexion, 36° abduction, and 49° external rotation in développé and 34° flexion, 29° abduction, and 43° external rotation in plié. For hula, there were small three-dimensional hip movements with 31° flexion, 15° adduction, and 11° external rotation in kao and 17° flexion, 11° adduction, and 11° external rotation in kaholo. No liner-to-neck contact was found in any dance activities. Conclusion: Both classical ballet and hula dance produced complex ranges of hip movements and activity-dependent kinematics. These kinematic data could be useful for recommending each patient with total hip arthroplasty to continue recreational dance activities.

AB - Background: The in vivo assessment of the three-dimensional kinematics of the hip during dance activities in patients after total hip arthroplasty has not been previously reported. We evaluated the replaced hip kinematics during recreational classical ballet and hula dance using radiographic-based image-matching techniques. Case presentation: A 58-year-old Japanese woman (patient 1; height, 157 cm; weight, 74.5 kg) and a 73-year-old Japanese woman (patient 2; height, 153 cm; weight, 48 kg) were still doing classical ballet and hula dance, respectively, after primary total hip arthroplasty. For ballet, there were gradual three-dimensional hip movements with 48° flexion, 36° abduction, and 49° external rotation in développé and 34° flexion, 29° abduction, and 43° external rotation in plié. For hula, there were small three-dimensional hip movements with 31° flexion, 15° adduction, and 11° external rotation in kao and 17° flexion, 11° adduction, and 11° external rotation in kaholo. No liner-to-neck contact was found in any dance activities. Conclusion: Both classical ballet and hula dance produced complex ranges of hip movements and activity-dependent kinematics. These kinematic data could be useful for recommending each patient with total hip arthroplasty to continue recreational dance activities.

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