抄録
Pitch circularity as found in Shepard tones was examined by using complex tones that had various degrees of exactness in their spectral periodicities on the logarithmic frequency dimension. This dimension was divided into periods of 1400 cents by tone components, and each period was subdivided into two parts of a fixed ratio of 700:700, 600:800, 550:850, 500:900, 450:950, 400:1000, or 0:1400. Subjects made paired comparison judgments for pitch. When the subdividing ratio was 0:1400 or 400:1000, the subjects responded to the spectral periodicity of 1400 cents, and, when the ratio was 700:700 or 600:800, they responded to the periodicity of 700 cents. Some seemingly intermediate cases between these two extremes or some qualitatively different cases were obtained in the other conditions. As we have asserted before, the human ear appears to detect a global pitch movement when some tone components move in the same direction by similar degrees on the logarithmic frequency dimension.
| 元の言語 | 英語 |
|---|---|
| ページ（範囲） | 291-314 |
| ページ数 | 24 |
| ジャーナル | Music Perception |
| 巻 | 8 |
| 発行部数 | 3 |
| DOI | |
| 出版物ステータス | 出版済み - 1 1 1991 |
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All Science Journal Classification (ASJC) codes
- Music
これを引用
Dynamic Pitch Perception for Complex Tones of Periodic Spectral Patterns. / Nakajima, Yoshitaka; Minami, Hiroyuk; Tsumura, Takash; Kunisaki, Hiroshi; Ohnishi, Shigek; Teranishi, Ryunen.
：: Music Perception, 巻 8, 番号 3, 01.01.1991, p. 291-314.研究成果: ジャーナルへの寄稿 › 記事
}
TY - JOUR
T1 - Dynamic Pitch Perception for Complex Tones of Periodic Spectral Patterns
AU - Nakajima, Yoshitaka
AU - Minami, Hiroyuk
AU - Tsumura, Takash
AU - Kunisaki, Hiroshi
AU - Ohnishi, Shigek
AU - Teranishi, Ryunen
PY - 1991/1/1
Y1 - 1991/1/1
N2 - Pitch circularity as found in Shepard tones was examined by using complex tones that had various degrees of exactness in their spectral periodicities on the logarithmic frequency dimension. This dimension was divided into periods of 1400 cents by tone components, and each period was subdivided into two parts of a fixed ratio of 700:700, 600:800, 550:850, 500:900, 450:950, 400:1000, or 0:1400. Subjects made paired comparison judgments for pitch. When the subdividing ratio was 0:1400 or 400:1000, the subjects responded to the spectral periodicity of 1400 cents, and, when the ratio was 700:700 or 600:800, they responded to the periodicity of 700 cents. Some seemingly intermediate cases between these two extremes or some qualitatively different cases were obtained in the other conditions. As we have asserted before, the human ear appears to detect a global pitch movement when some tone components move in the same direction by similar degrees on the logarithmic frequency dimension.
AB - Pitch circularity as found in Shepard tones was examined by using complex tones that had various degrees of exactness in their spectral periodicities on the logarithmic frequency dimension. This dimension was divided into periods of 1400 cents by tone components, and each period was subdivided into two parts of a fixed ratio of 700:700, 600:800, 550:850, 500:900, 450:950, 400:1000, or 0:1400. Subjects made paired comparison judgments for pitch. When the subdividing ratio was 0:1400 or 400:1000, the subjects responded to the spectral periodicity of 1400 cents, and, when the ratio was 700:700 or 600:800, they responded to the periodicity of 700 cents. Some seemingly intermediate cases between these two extremes or some qualitatively different cases were obtained in the other conditions. As we have asserted before, the human ear appears to detect a global pitch movement when some tone components move in the same direction by similar degrees on the logarithmic frequency dimension.
UR - http://www.scopus.com/inward/record.url?scp=84968258505&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84968258505&partnerID=8YFLogxK
U2 - 10.2307/40285504
DO - 10.2307/40285504
M3 - Article
AN - SCOPUS:84968258505
VL - 8
SP - 291
EP - 314
JO - Music Perception
JF - Music Perception
SN - 0730-7829
IS - 3
ER -