Folk Performance as Transgression: The Great Dengaku of 1096

研究成果: ジャーナルへの寄稿記事

抄録

In 1096 a series of dengaku performances, consisting of boisterous music and dance that originated in rural rice-planting rites, erupted in the Heian capital. Courtier reactions varied: some predicted the downfall of the realm while others joined the festivities, but all agreed it was an extraordinary phenomenon. Scholars have often viewed the event as a popular movement that succeeded, or failed, in occupying elite spaces in the capital and changing the trajectory of performance history. This article instead argues that dengaku created charged spaces of transgression in which social identities and cultural forms were negotiated.
元の言語英語
ページ(範囲)1-23
ジャーナルJournal of Japanese Studies
44
発行部数1
出版物ステータス出版済み - 2 1 2018

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Economics
Social Identification
Music
dance
ritual
performance
music
elite
History
event
history
Transgression
Folk
Oryza
Downfall
Dance
Social Identity
Elites
Performance History
Courtier

これを引用

Folk Performance as Transgression: The Great Dengaku of 1096. / Lazarus, Ashton Michael.

:: Journal of Japanese Studies, 巻 44, 番号 1, 01.02.2018, p. 1-23.

研究成果: ジャーナルへの寄稿記事

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