TY - JOUR
T1 - Medialität und Auratisierung
T2 - Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam
AU - Beil, Ulrich Johannes
PY - 2017/11/2
Y1 - 2017/11/2
N2 - Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.
AB - Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.
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U2 - 10.1515/iasl-2017-0024
DO - 10.1515/iasl-2017-0024
M3 - 総説
AN - SCOPUS:85035803798
VL - 42
SP - 506
EP - 527
JO - Internationales Archiv für Sozialgeschichte der Deutschen Literatur
JF - Internationales Archiv für Sozialgeschichte der Deutschen Literatur
SN - 0340-4528
IS - 2
ER -