Medialität und Auratisierung: Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

研究成果: Contribution to journalReview article査読

1 被引用数 (Scopus)

抄録

Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.

本文言語ドイツ語
ページ(範囲)506-527
ページ数22
ジャーナルInternationales Archiv fuer Sozialgeschichte der Deutschen Literatur
42
2
DOI
出版ステータス出版済み - 11 2 2017
外部発表はい

All Science Journal Classification (ASJC) codes

  • History
  • Literature and Literary Theory

引用スタイル