抄録
When the objects in a typical stream-bounce stimulus are made to rotate on a circular trajectory, not two but four percepts can be observed: streaming, bouncing, clockwise rotation, and counterclockwise rotation, often with spontaneous reversals between them. When streaming or bouncing is perceived, the objects seem to move on individual, opposite trajectories. When rotation is perceived, however, the objects seem to move in unison on the same circular trajectory, as if constituting the edges of a virtual pane that pivots around its axis. We called this stimulus the Polka Dance stimulus. Experiments showed that with some viewing experience, the viewer can “hold” the rotation percepts. Yet even when doing so, a short sound at the objects’ point of coincidence can induce a bouncing percept. Besides this fast percept switching from rotation to bouncing, an external stimulus might also induce slower rotation direction switches, from clockwise to counterclockwise, or vice versa.
| 元の言語 | 英語 |
|---|---|
| ジャーナル | i-Perception |
| 巻 | 9 |
| 発行部数 | 4 |
| DOI | |
| 出版物ステータス | 出版済み - 7 1 2018 |
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All Science Journal Classification (ASJC) codes
- Experimental and Cognitive Psychology
- Ophthalmology
- Sensory Systems
- Artificial Intelligence
これを引用
Streaming, Bouncing, and Rotation : The Polka Dance Stimulus. / Remijn, Gerard B.; Yoshizawa, Tatsuya; Yano, Hiroaki.
：: i-Perception, 巻 9, 番号 4, 01.07.2018.研究成果: ジャーナルへの寄稿 › 記事
}
TY - JOUR
T1 - Streaming, Bouncing, and Rotation
T2 - The Polka Dance Stimulus
AU - Remijn, Gerard B.
AU - Yoshizawa, Tatsuya
AU - Yano, Hiroaki
PY - 2018/7/1
Y1 - 2018/7/1
N2 - When the objects in a typical stream-bounce stimulus are made to rotate on a circular trajectory, not two but four percepts can be observed: streaming, bouncing, clockwise rotation, and counterclockwise rotation, often with spontaneous reversals between them. When streaming or bouncing is perceived, the objects seem to move on individual, opposite trajectories. When rotation is perceived, however, the objects seem to move in unison on the same circular trajectory, as if constituting the edges of a virtual pane that pivots around its axis. We called this stimulus the Polka Dance stimulus. Experiments showed that with some viewing experience, the viewer can “hold” the rotation percepts. Yet even when doing so, a short sound at the objects’ point of coincidence can induce a bouncing percept. Besides this fast percept switching from rotation to bouncing, an external stimulus might also induce slower rotation direction switches, from clockwise to counterclockwise, or vice versa.
AB - When the objects in a typical stream-bounce stimulus are made to rotate on a circular trajectory, not two but four percepts can be observed: streaming, bouncing, clockwise rotation, and counterclockwise rotation, often with spontaneous reversals between them. When streaming or bouncing is perceived, the objects seem to move on individual, opposite trajectories. When rotation is perceived, however, the objects seem to move in unison on the same circular trajectory, as if constituting the edges of a virtual pane that pivots around its axis. We called this stimulus the Polka Dance stimulus. Experiments showed that with some viewing experience, the viewer can “hold” the rotation percepts. Yet even when doing so, a short sound at the objects’ point of coincidence can induce a bouncing percept. Besides this fast percept switching from rotation to bouncing, an external stimulus might also induce slower rotation direction switches, from clockwise to counterclockwise, or vice versa.
UR - http://www.scopus.com/inward/record.url?scp=85052589278&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85052589278&partnerID=8YFLogxK
U2 - 10.1177/2041669518777259
DO - 10.1177/2041669518777259
M3 - Article
AN - SCOPUS:85052589278
VL - 9
JO - i-Perception
JF - i-Perception
SN - 2041-6695
IS - 4
ER -